Volume 47/48 | Spring 2024

Trevor de Clercq and Kyle Hutchinson, Editors

Daphne Tan, Reviews Editor

Articles

Exploring the IAC as Terminal Cadence: Melodic Deferral and Cadential Function in Classical Sonata-Form Movements

James S. MacKay

In a few Classical era works, an entire composition, or a large section thereof, ends with an imperfect authentic cadence (IAC), completing the har... MORE

Form, Tonality, and Influence in Eric Ewazen's Sonata No. 1 for Flute and Piano

Samantha M. Inman

The attraction of music by Eric Ewazen (b. 1954) partially stems from the expressive interweaving of multiple nineteenth- and twentieth-century inf... MORE

Imagining an Autochthonous Music: The First Movement of W.G. Still's Fourth Symphony

David Hier

William Grant Still occupied a singularly exalted place in American music during the 1930s and 1940s. His music was recognized as being emblematic ... MORE

Mozart's Osmin and the Phrasing of Discomposure

Danielle Bastone Barrettara

Perhaps the most memorable character in Mozart's Die Entführung aus dem Serail is Osmin, the grumpy harem overseer whose angry antics receive some ... MORE

Reviews

The Cambridge Companion to Video Game Music

Edited by Melanie Y. Fritsch and Tim Summers

Reviewed by William O'Hara

Journeys Through Galant Expositions

L. Poundie Burstein

How Sonata Forms A Bottom-Up Approach to Musical Form

Yoel Greenberg

Reviewed by Caitlin Martinkus